Moments in a Box

text: Seth Wolfman / photos: Dave Vann for Phish's flickr

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Phish 11/27/98 -11/29/98 vs. 11/27/09-11/29/09

Most phans can pinpoint the moment when they transitioned from simple curiosity to hopelessly hooked. The 3-night Worcester run 11/27/98-11/29/98 was that moment for me. As an 18-year-old Phish fan in Massachusetts in 1998, these shows marked the most distinct launching point of my life with Phish, and, as I would later come to realize, played a huge role in what my key interests in life would be the rest of the way. The same can be said for many other people in the same situation who would become my best Phish friends and peers when I went to college a year later.

I had been to a couple of Phish shows before, and I liked the albums for a long time thanks to some cool camp counselors, but the raison d’etre of being a Phish fan (going to shows) just hadn’t clicked with me before this run. My fragile, innocent teenage mind was too overwhelmed at my first couple of shows, and I didn’t go with the right people. But Worcester ‘98 would be different. This was the first time I saw more than one show in a row. This was the first time I had submitted a request to Phish Tickets-By-Mail, and of course a fistful of choice tickets had shown up at my door a few weeks later because PTBM never lets you down. I walked into the show on 11/27/98 as a fan of the music but still perplexed as to why all the camp counselors would disappear for 3-5 nights in a row every summer. Then Phish played what I believe to this day to be the most complete and flawlessly executed show they have ever played, Wipeout teases or not. I walked out ready for Phish battle like never before.

The torrent of helplessness swept me away from there. Within a week, I figured out how to trade tapes over the internet and spent every dollar to my name on 50 Maxell XL-II tapes and enough postage to send them all to total strangers throughout the country as blanks-and-postage trades. Actually, this was my first foray into using the internet at all! Sure enough, within another couple of weeks, every one of those tapes magically came back to me with different Phish shows on them. As this was happening, I surreptitiously filled out another PTBM request for the New Year’s run in New York City without letting my mother know. This easily qualified as the most lofty and audacious maneuver of my life to that point. I was pretty much on lockdown in high school. I didn’t go to parties, came home on time out of fear of getting in trouble . . . you know, one of those kids. So here I am, senior year, finally armed with something I wanted to do badly enough that I didn’t care how much trouble it got me in.

“Mom, I got tickets to see Phish over New Year’s in New York and there’s no stopping me.”

(long pause) “OK, just be careful.”

FREEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!!!!!!!!!!! (cue music)

You know the rest of the story from there.

So here we are, 11 years later. 11/27/09-11/29/09. Where did we end up and how did we get here?

SAME: The fanbase. Same demographics, same collective mentality . . . heck it’s probably 80% the same exact people. But what about the other 20%? There are many who aren’t on board anymore, and it’s the dichotomy between them and the people who stayed that interests me. The people who jumped off seem to come from three groups: those who were never that heavily invested in Phish in the first place, those whose interests simply moved on, and those who have grown to consider the pursuit of fandom of a band to be a puerile endeavor. Nothing wrong with people in the first two groups, but it’s the growing ranks of the third group that are disturbing. I’d wager, though, that most of the people in the third group spend multiple nights per week watching reality TV.

DIFFERENT: The ticket market. PTBM was perfect because the complexity of filling the damn thing out and getting it in on time created a situation where only about one in four phans could ever get their act together enough to pull it off. Each one of these phans would get four tickets to each show they requested, and then take care of the three people they knew who were too stoned to do it. The whole operation was genius. Ticketmaster on-sales were a cinch, too. As long as you got to that outlet at the local mall by 6am, you were all set. You walked out of there by 10:05AM with 4 great seats and a bunch of new Phish friends every time. Obviously, all of that is toast now. But here’s the kicker that I still can’t believe even though I know it’s true: the professional ticket agencies never touched Phish before 2001. The agencies certainly existed before they were online. But even as Phish sold out the biggest arenas in the country, the agencies just were not paying attention to Phish. Maybe they though it was a risky fad. Maybe they saw the cheap prices and figured there was no money in it. There were a lot more companies selling tickets than just Ticketmaster then, so maybe the agencies didn’t have all the inside tracks that they do now. The fact that there was no secondary ticket market for Phish tickets is unbelievable to me now in a world where agencies are billion-dollar operations with first dibs to tickets in every genre of entertainment at every venue.

DIFFERENT: Communications and technology. This is a pretty hackneyed topic at this point, so suffice it to say that I’m glad I gave away my 300-some Phish tapes in 2002, because today I would have to throw them away, which would have been much harder.

SAME: The quality of the live Phish product. Phish’s level of play the past three nights is the best I have heard since pre-hiatus. It’s been a long journey to get back here, hasn’t it? Phish certainly didn’t stay at this level for the past 11 years, but the fact that they have come this far back is astonishing, a truly rare feat in the entire documented history of musical or athletic comebacks. While it’s not fair to compare 11/27/98 up against anything that happened this weekend just because that is such a singularly spectacular show, I’ll take 11/28/09 and 11/29/09 and put them right up against 11/28/98 and 11/29/98 any time.

SAME: The amount of fun and friends at each run. Still the best times you can ask for. The whole show-going day is equal parts planned actions and actions left to chance, just like the way Phish plays. Surrendering to the flow still seems to leave me in a good place, time and time again. That’s all that ever mattered.

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3 comments thus far ...

  1. 1mikesbass Mon Dec 7, 2009 | 10:30 pm

    fantastic article!!  spot on in many ways.  what journey it has been...see ya in Miami!!

  1. 2RobD Tue Dec 8, 2009 | 10:58 am

    You nailed it.  I have never seen so many scalpers with lottery tickets before.  They make the new process too easy to request too many.  The money order was much better.  Cash up front would ease things a lot.  Or better yet, processing the charge at the time of request.  Then refunding the unfortunate.  Just glad to see them live, regardless of the hoops.

  1. 3pvb Tue Dec 8, 2009 | 01:39 pm

    Whats up wolf! Nice article, my 2 cents, there’s folks who stopped before we even went to shows, some are back in, some aren’t, so don’t forget they would be talking about 93’ to 98’ and so forth. Also, there’s a bunch of young heads runnin around coming to maybe their first shows after being on the bisco scene (complete speculation). Saw 3 shows this tour and it was radical, highlights being maze 1st albany, 2nd set page taking over (from behind stage), my bud says night two was best of the modern era. I couldn’t disagree, just rockin show, and night one msg started as a greatest hits album, loud as hell!. good ghost jam too. (sorry for the livephish-type post guys). Peace

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Great post.really he has the ability that he can do anything possible.Thanks
SCHUYLKILL COUNTY CEMETERY

by SCHUYLKILL COUNTY CEMETERY on Tue Mar 16, 2010 at 03.56 am from the entry: Jim Morrison's Ghost Pic

Oh I see. I was wondering if you were talking about the picture. Really glad you liked it. Have you checked her out yet?

by Colin on Sun Mar 14, 2010 at 02.29 pm from the entry: Interview - Kelli Schaefer (Portland, OR; Winter, 2010)

yes! The interview is great, and the photo shows off the glow

by Ian on Sun Mar 14, 2010 at 01.29 pm from the entry: Interview - Kelli Schaefer (Portland, OR; Winter, 2010)

Great post! Really digging the new record a lot. The Rainwater LP has some gorgeous moments - definitely recommend checking it out. There are 3 of the new songs up on the myspace page: myspace.com/citizencope

by MattKlomp on Sun Mar 14, 2010 at 03.16 am from the entry: Citizen Cope - Paradise Theater (Boston, MA; Feb. 27, 2010 )

haha is that a compliment?

by colin on Sat Mar 13, 2010 at 06.49 pm from the entry: Interview - Kelli Schaefer (Portland, OR; Winter, 2010)

love that melophobe has more “couples” reviewers, and more “Ian/Ion/Ian/Iain” than the average site…

by Ian on Sat Mar 13, 2010 at 06.48 pm from the entry: sevendust + drowning pool + digital summer + the flood - showbox market (seattle, WA; Mar 07, 2010

you’re positively glowing in this interview, Colin

by Ian on Sat Mar 13, 2010 at 06.46 pm from the entry: Interview - Kelli Schaefer (Portland, OR; Winter, 2010)

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