You can do plenty of pre-concert research, but sometimes you really have no idea what you’re in for when you go to an indie rock show. Saturday’s show at The Crocodile here in Seattle was a prime example. I listened to plenty of sample tracks, which made me mildly interested to hear the opening acts and very eager for the headliner. In the end, one opening act, Lost in the Trees, was a pleasant surprise, while another, Frog Eyes, was a total dud. Headlining band Plants and Animals didn’t sound quite like their studio recordings seemed to indicate but were still every bit as entertaining as I expected.
Lost in the Trees from Chapel Hill, North Carolina, kick-started the night with a set of lovely chamber folk. At the music’s core were intricately picked acoustic guitar patterns, and projecting out from that were dreamy strings, organ and bell embellishments. Occasionally, the music became almost too haunting, taking on a spooky, macabre tone. Ultimately, though, the ANTI- Records ensemble, with the help of Ari Picker’s soothing lilt, won several new fans as the audience trickled in for Plants and Animals.
Next up was Frog Eyes, a band whose studio sound has traces of Wolf Parade and Neutral Milk Hotel (only less accessible). Disappointingly, the group seemed more interesting in weirding out unfamiliar listeners than putting on an aurally pleasing live performance. While about ten loyal fans stood at the front, swaying awkwardly along, the rest of the audience stood stiff and uncomfortable while Frog Eyes turned potentially interesting songs into bizarre, monotonous and grating musical duds. Vocalist Casey Mercer could pass for a bizarro Isaac Brock, an idea that seems kind of rad in theory, if it weren’t for the fact that Frog Eyes just isn’t that good.
On to the main event. As a casual Plants and Animals listener, I went to the show expecting what I’d heard on their albums: grandiose acoustic rockers and a heaping portion of tasty, tasty hooks. I didn’t expect to see audience members dancing, stomping and fist-pumping away as the three-piece Montreal band put on a rollicking performance of classic stadium rock proportions. Sure, their debut full-length Parc Avenue hinted at classic rock influences, which became more prominent on follow-up La La Land. But Plants and Animals’ studio recordings seemed to tilt more toward baroque folk than rock ‘n’ roll. After seeing the band live, I had to rethink what Plants and Animals is all about. No wonder band members describe their sound as “post-classic rock.”
The group opened with “New Kind of Love,” a heart-wrenching coming-of-age ballad that mutates into an epic crowd-pleaser of a rock anthem. “Like a child, we get lonely and reckless and wicked and wild,” vocalist/guitarist Warren Spicer wailed triumphantly at the song’s apex, shortly after jumping from the stage to give the audience an up-close-and-personal view of his animated guitar riffing. The rest of Plants and Animals’ set continued in a similarly bold fashion, with the band accentuating every tempo change, stressing every dynamic twist and belting out every vocal harmony.
Even though the show wasn’t what I expected, I must admit it left nothing to be desired. Catchy seven-minute pop-rock songs? Check. Folky sing-alongs, jam-band guitar fuzz freakouts and grand orchestral flourishes, all within one song? All in a night’s work for these guys. Witty on-stage banter? Yes, yes, yes. For a band recognized for majestic acoustic tracks in the vein of M. Ward, Plants and Animals displayed some brilliant lead guitar interplay. Spicer and Nicolas Basque shifted seamlessly back and forth between raucous riffing and fluid picking, sometimes harmonizing lead parts (Thin Lizzy style) and jamming on once familiar chord structures.
And though Plants and Animals rocked the hell out of their set, their songs retained the blunt humanism and triumphant warmth that make the listener feel right at home--even if he’s sweat drenched and pumping his fists in the air.
DOWNLOAD: Plants and Animals - Bye Bye Bye (MP3) or Follow us for more Plants and Animals MP3s (Twitter)
The National - 9/11
Marymoor Ampitheatre
The Black Keys - 10/2
The Paramount Theatre
Broken Social Scene - 10/10
Neumos
Broken Social Scene - 10/15
The Paramount Theatre
It was a great show. The energy was intense. I was lucky enough to be right up front.
by Burt on Thu Sep 2, 2010 at 05.01 pm from the entry: The Avett Brothers + Langhorne Slim - Crystal Ballroom (Portland-town, OR; Aug. 30, 2010)
lovin trackz #4,13, and 16
by Phoxy Philly on Thu Sep 2, 2010 at 04.03 pm from the entry: Chiddy Bang's "The Swelly Express" Mixtape (download)
Nice concerning as better as clarifying position.Gives Thanks for providing for us.I show your article with my delight.
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by jhon on Thu Sep 2, 2010 at 02.35 pm from the entry: Tiny Vipers + Rafael Anton Irisarri + Cars & Trains - Mississippi Studios (Portland; Jul. 14, 2010)
agree with beth! dope stuff on both sides of the review.
by @bosconcertphoto on Wed Sep 1, 2010 at 09.48 am from the entry: DJ /rupture + Tanlines - Whitney Museum (New York, NY; August 27, 2010)
Thanks Nicole!
Just wanted to say that although this may be our last time performing this show, I have many other projects in the works. Info and show schedule is on my website.
- Ben
by Ben Darwish on Tue Aug 31, 2010 at 11.47 pm from the entry: Ben Darwish - Afrobeat Tribute to Michael Jackson - Tractor Tavern (Seattle, WA; August, 29, 2010)
Love these photos and review. So, these DJ sets are at 7:30? I don’t really get it. And are these gonna continue once the Whitney moves? And most importantly, where can I attend an “hour-long clinic on shaking ass?”
by beth on Tue Aug 31, 2010 at 06.44 pm from the entry: DJ /rupture + Tanlines - Whitney Museum (New York, NY; August 27, 2010)
Super post there! Comprehensive and well collated material. Thanks for sharing.
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by jhon on Tue Aug 31, 2010 at 01.56 pm from the entry: Deerhoof + The Donkeys + Southeast Engine - Berbati's Pan (Portland, OR; July 6, 2010)
Neutral Milk Hotel is accessible? Hmm… I’ll have to mull that over a bit. One of my favorites, but I don’t know how others respond to Mangum’s nasally voice.
Perhaps he was saying “even less accessible”
Accessible doesn’t necessarily mean the music has Top 40 potential. It might just mean the music has catchy hooks and simple chord progressions, or any number of things. In any case, I think Frog Eyes had some cool ideas, but they didn’t translate well to a live performance in front of people there to see a different band.
I had a similar experience with Frog Eyes quite a few years back as well and that was when they were opening for wolf parade and Spencer Krug was in the band.