Wye Oak + Pomegranates + Hands and Knees - TT the Bear’s (Cambridge, MA; May 14, 2009)

text: Beth Freeman Doreian / photos: Beth Freeman Doreian (1-8 wye oak + 9-19 pomegranates + 20-22 hands and knees + 23-32 mister sister)

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After hours of listening to outstanding and fresh music, I left TT the Bear’s feeling elated yet slightly depressed. Four fantastic bands performed that night, but few were there to bear witness. In fact, the fifteen total musicians made up about a third of the audience. Of course, Animal Collective had whisked away over 2,000 to the other side of town. And the Bruins and Celtics were playing pivotal playoff matches. And I admit, I struggled to stay out until one on a Thursday night, but I’m eight months pregnant. What’s everyone else’s excuse?

Enough whining. As long as artists produce excellent live music, melophobe will be there to promote it. At TT’s, Wye Oak, Pomegranates, Hands and Knees, and Mister Sister did their part, so here’s my part: earnest, gushing praise.

Locals Mister Sister opened the night, headed by the always lovely and charming Amelia Emmet. Part Zooey Deschanel, part Billie Holiday, Emmet’s languid yet powerful vocals and banjo can carry an entire set. Thursday night, however, the TT’s crowd was treated to a full backing band, which fleshed out Mister Sister’s rootsy folk sound. Supporting Emmet were four musicians who are collectively creating some of Boston’s best music right now: Mike Fiore, Elio DeLuca, Brian Rutledge, and I believe Eric Meyer on drums. If you see any of their music projects playing around town (melophobe’s concert calendar will highlight them), rush to see them: whether Faces on Film, Keys to the Streets of Fear, or Hallelujah the Hills.

Second up were Hands and Knees, another favorite local band. The first few times I saw them, their upbeat, raw pop sound instantly hooked me. Having just released their second LP Et tu, Fluffy?, Hands and Knees now sounds slightly more polished—a little less garage and a little more alt-country. From the stage, singer Joe O’Brien announced that the show was probably drummer Philip Ilatovsky’s last, so expect more changes in the future.

When Pomegranates took the stage, singer Joey Cook said that this show was a favorite on their four-week tour with Wye Oak, due to the excellent openers. Considering the members of both Pomegranates and Wye Oak spent the opening sets enthusiastically rocking out in the audience, I believe he was sincere. The band invited the crowd to join them on a “trip through outer space,” playing the majority of their new album Everybody, Come Outside. Like Hands and Knees, Pomegranates’ sound has slightly shifted with their sophomore album. Their debut Everything Is Alive is a perfect blend of twee and punk, especially on songs where Cook and Isaac Kerns share vocals (for example, check out “Thunder Meadow.” Cook’s adolescent voice and vulnerable singing offers a great contrast to Kerns’ guttural, raw vocals. The new material, though still pop, is not at all twee, but more psychedelic and contemplative—like a more stripped down Evangelicals. Highlights of the set included “Late Night Television,” “The Southern Ocean,” and “Everybody, Come Outside,” songs where the band let loose, clearly having fun, with Cook dancing around the other band members and drummer Jacob Meritt making goofy expressions behind his kit.

I was introduced to the three openers by seeing them open for more popular bands during the past two years. In each case, I was more impressed with them than the headliners and became an instant fan. Having only heard bits of Wye Oak before that night, I was psyched to introduce myself to them in the same way. Considering Wye Oak is on Merge Records (a favorite label), and some of my favorite music bloggers sing their praises, my expectations were high. Wye Oak did not disappoint. Despite dancing their way through the opening sets, band members Andy Stack and Jenn Wasner conserved enough energy for a rich and passionate set of their own. It’s remarkable how fresh and new their music is, considering how much Wye Oak reminds me of Cowboy Junkies and Mazzy Star. But more than a decade after those bands, Wye Oak sounds like nothing out there today. At least no current band matches their ability to balance intimacy, solemnity and reserved passion. Well, maybe Low, but again, their era was the late 90s. Look out for Wye Oak’s July release The Knot, and if you’re lucky enough to find tickets for the XX Merge Fest that same month, do not miss this band.

DOWNLOAD: Wye Oak - Take It In (MP3) or Follow us for more Wye Oak MP3s (Twitter)

Wye Oak review to your liking? You'll sweat:

2 comments thus far ...

  1. 1Brad Wed May 20, 2009 | 05:48 pm

    Great write-up, I’m so glad you covered this.  And so ashamed I missed it.

  1. 2Beth Wed May 20, 2009 | 07:14 pm

    Well, you may not be pregnant, Brad, but I think you have a little munchkin at home. That’s a good excuse!

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he is amazing bro his style can not be touched....some people dont know what he is talking about caz u dont do what he does he is sickkk bra

by dylyn on Thu Mar 18, 2010 at 11.59 am from the entry: Wiz Khalifa: Burn After Rolling (Mixtape)

Wow,Great post.Thanks for sharing with us. land wi

by wisconsin land on Thu Mar 18, 2010 at 09.53 am from the entry: of Montreal + Gang Gang Dance - Orpheum Theatre (Boston, MA; Oct. 30, 2008)

Ugh. Paste’s profile of Free Energy made me kind of hate them. So does your review. It’s this unctuous defense of good-time rock-and-roll ("we’re just here to party, and we’re awesome!") that seems more self-serving than fun-loving.

by beth on Wed Mar 17, 2010 at 09.41 pm from the entry: Foreign Born + Free Energy - The Knitting Factory (Brooklyn, NY; Mar. 12, 2010)

that inescapable feeling you are referring to, is that like when you hear something and you could have sworn you heard it before because of the nostalgic catchy quality? or is is like when you’ve heard a band exactly like said band?

great post by the way!

by paul on Wed Mar 17, 2010 at 03.15 pm from the entry: The Novel Ideas - "The Sky Is A Field" - Borrow It

Whoa! I had no idea she was enegaged. You would never know with the way she behaves! Wow!

by art on Wed Mar 17, 2010 at 09.48 am from the entry: Nikki Darlin and John McCauley: 1+1=1

This comment stream is so meta. Great review Kelly.

by chris on Tue Mar 16, 2010 at 07.50 pm from the entry: Flying Lotus - "Cosmogramma" - Buy It

no prob. The whole album is excellent, combining some of the harder sonics of Los Angeles with the meat of his debut and obviously difficult to summarize in only 50 words… smile I’d say it’s on par with the debut, but better than Los Angeles.

by kelly on Tue Mar 16, 2010 at 06.23 pm from the entry: Flying Lotus - "Cosmogramma" - Buy It

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